applause

Originally posted on my solo performance website blog, I ran across more information on this today (see UPDATE at the bottom of the page) & thought I’d pass my posting on to my MTH colleagues.  What do YOU think about applause at concerts?

Over the past several weeks I have asked my colleagues in person and via Facebook and Twitter: “During the Symphony for the Schools concert this morning at the beginning the kids applauded at 4-5 places during “Ride of the Valkyries” (1st piece). They were naturally applauding high points in the music. It made me start wondering. But, by the end, they weren’t applauding but were sitting restlessly. SHOULD we be so sure of ourselves & the importance of our presentation that we don’t allow the audience to participate in one of the only acceptable ways they have – applause? I’d LOVE to continue this conversation. I know I hate not being able to hear all the nuances of the music, but are we helping put the elitist label on classical music by proscribing when audiences can submit their input on the performance?”

Here is my Facebook Summary of responses:

“It’s always been weird but like with a cycle or set applause between each song would be tedious and also be distracting to the performer. So we hold off.”

“What if they want to applaud while you’re singing, like on American Idol or Sabado Gigante?”

“Yeah that’s annoying. I hate when you can’t hear them singing.”

“Amen!”

My Twitter responses: [···]

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