Music always pays homage to artists that made history in many ways, one of them is covers, but sometimes covers reinvent the original in creative ways without altering the feeling that was intended to have. These covers are mostly associated with people that post in social media and just do it for fun, the interesting part of this is that there are succesful artists out there that want to do the same, just have fun while remembering music history.

One supergroup/cover band that has been showing up a lot lately is the Jaded Hearts Club Band, which initially focused in covering the Beatles, but now expanded their horizons to soul and other rock classics.

The members are all musicians with well known careers in the industry. The band consists of Jamie Davies, Miles Kane, Sean Payne, Graham Coxon, Nic Cester and Matt Bellamy.

One of the greatest things about this is that is just simple pure fun, this is an idea that came from playing at a birthday party, and they had so much fun that it was impossible to just leave it at that, so they decided to make it a project, a cool little side project.

NME Interview

In an interview with NME the band discusses how they handle the fact that they are a supergroup and how they got into the project.

Guitarrist Jamie Davis said:

Supergroups have got a bad reputation for massive egos and not sticking it out. We try to treat The Jaded Hearts Club like a new band who will continue. We are officially what a supergroup is, but we’re trying to stay away from those associations as much as possible, by playing gigs and making music as often as we can.

One of the things that keeps them away from all of that ego fighting drama is the fact that they are just having fun, drummer Sean Payne says: “There’s no bullshit or head games. It’s simple: Turn up, play, have a laugh.”

On how they got together as a band, Jamie says:

“I wanted to hire a Beatles band for my birthday. But then I saw how much they cost, plus they were all a bit naff. Then I thought, ‘Hold on, I know a few musicians…’ It was a eureka moment. I’d thought, ‘They’ll do me this one favour and it’ll be this one gig’. But, after the party, everyone was going, ‘That was really good, we should do this again’.

Just a Cover Band?


During the NME interview they all gave their opinions on making original music in the future (with the exception of Matt Bellamy who wasn’t present at the interview).

Nic: “Everyone’s tastes are more or less aligned, so I’m sure it’s possible.”

Miles: “At this point, the next album will probably be more covers.”

Jamie: “Matt and I text each other every day with suggestions for other great lost songs, and we’ve easily got enough for volume two.”

Sean: “The way we’re doing it keeps any songwriting egos out of it. But I’m sure new songs will naturally fall into place. We need to watch The Traveling Wilburys documentary to see how they did it. Everyone wrote in that band, and they managed to kick the doors down straight away.”

Their Debut album “You’ve Always Been Here” is out today and while it doesn’t cover any new ground in music, it’s hard not to enjoy the talent from each one of the members through classics.

Even more than just enjoying, one of the ideas behind the band is to bring old musical gems to everyone’s attention. There are hundreds if not thousands of songs that are all over stream services but don’t get enough plays. Maybe with this fun project, we can go back in music history and enjoy some of the classics in soul, blues and more.

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Every big movement touches every corner of the world eventually, it didn’t reach the Soviet Union that fast, but punk certainly found a home in the youth of that place in the late 70s. At the moment there were two choices to go with be disco or be punk.

The obvious choice for most young people was punk since there was message that was deeply understood given the context of the Soviet Union, an that was a message of

Although the nascent Soviet Punk movement took on the ideals of the English scene, it moved toward the harsh intensity of the Washington D.C. hardcore/straightedge scene. The movement of Soviet Punk toward hardcore came as a reflection of the physical and political environment, incorporation of distinct instrumentation, and adoption of distinct hardcore values (such as abstention from alcohol).

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It was made a movement by soviet union that resonated with the political state in which they were at the time, while it was at a personal level, the punk movement was also a political one.

The political history most relevant to the punk movement in the Soviet Union began with the Stalinist era, continuing through to the stagnation era of Leonid Brezhnev. Throughout this period, the political and societal structure crafted by Iosif Stalin, Nikita Khrushchev, and Leonid Brezhnev provided the framework on which the punk movement revolted. It furthermore contributed to the development of the protopunk subculture of the late 1970s era called the “unclassifiables

Grazhdanskaya Oborona, Soviet Punk

One of those punk bands was Grazhdanskaya Oborona, a band that formed in the early 80s and can be a good example as a Soviet Union punk band that showed the world a moral of the youth that was not very happy with how things were. The mother of the second guitarrist even thought that the band was an anti soviet movement and went to the KGB to report them.

The band leader Yegor Letov, was drafted despite having heart conditions, and it wasn’t until 1986 that he was released, at this time he went straight back to making music and record.

There are clear influences of other punk bands from the US and the UK but at the same time there is a heavy rythm and a strange voice that goes from clean singing to a raw scream like singing.

They also made some compositions a bit more melodic and more “traditional” in a way. That is not to say that punk was traditional, but the sense as we know the most famous bands. To many people

Alexei Borisov

Alexei Borisov a specialist on the subject said in an interview:

Even if the codes of punk and post-punk were introduced very late in the Soviet Union, the impact of punk on musicians and listeners was huge. A young generation raised on original, refined classical music and a usually very simple, banal pop or jazz-rock in official broadcasts and official art production were suddenly stepping inside this new world with the charm of the word “forbidden” written on the door (and most likely some hidden efforts from West). However, they were unaware that they were moving towards a sensation that would once again surpass the West.

Alexei Borisov


In the end it’s important to give some time to research about those places and music that have quite a strong history but you wouldn’t really think about. Soviet punk is a very strong case, where the nature of it was very agressive sometimes, but in the end it was a very pure and honest way to make art.

This is just another example of how music is a universal language, but also a language that changes and adapts.

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In a previous musical life, I worked as an organist for ballroom and latin dancers! Okay, you can settle down now! Stop laughing already! I know it wasn’t very rock ‘n’ roll but it did have its benefits…

On the whole, the dancing communities I encountered were lovely and it was a pleasure to supply a quickstep or a rumba for them to elegantly glide around the dance floor.

But there was just one or two, you know the kind! The ones that spend too much time each week in the tanning salon and their over the top outfits would make a drag queen blush! In the early days, I could swear there were moments when I thought they were going to drag me from the stage and lynch me!

Why am I telling you this story? I learnt quickly that tempo and rhythm are [···]

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