composers

Motivating Students to Practice more…

Students enjoy learning interesting facts about the composers of music they like to play and listen to.  It can be really exciting for them to learn what is ‘behind the scenes’, motivating them to want to practice more too.

Composer Time Capsules

As Samantha Coates suggests “It is not your job to motivate students. It is your job to create the environments in which students will motivate themselves.”   As part of our students’ theory classes, we have been learning about a Composer of the Month.  We have found that group classes offer a great way of motivating students.  Students discuss and understand more about the music that they want to learn to play.  They are also learning music history at the same time as well as learning some music theory.
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Reuben Vincent Studio March 14-170

If I had a penny for every time I heard a grumpy, narrow-minded, middle-aged moaner say something like: “They don’t make records like they used to” or “They only churn out rubbish in popular music these days” I’d be a millionaire! Concerning popular music, some people seem to be trapped in a time-warp, suspiciously based around the period when they were teenagers and young adults. Like as if the music that was made before and after isn’t worth considering!

And then there’s the classical crowd. Content some are to listen to the faithful few – Mozart, Haydn and Beethoven. Now don’t get me wrong, I love those composers but what about all the fabulous writers that have come afterwards, some still living even? Come on chaps, let’s be more open-minded!

Personally, I think music has been on an incredible journey since the invention of recorded music and the internet. Now music from all over the world and from every period is easily accessible. Children aren’t just exposed to the music of  [···]

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Put Your Records OnI remember, as a child, spending many an hour with my record player and LPs (long play vinyl records) in my bedroom. For me, half the pleasure of listening to the music was reading the sleeve notes which often gave up a wealth of fascinating information about the artist, composer, sometimes the instruments used, the recording personnel and the studio. And then there was the cover art which was a marvel in itself.

Of all the music that I listened to, I can’t forget an old Burl Ives record. One of the songs was called “I Know an Old Lady.” Apparently he didn’t “know why she swallowed a fly, perhaps she’ll die!” I played that album over and over.

As I grew older, I began to realise that listening to an old man singing folk songs was definitely not cool and that if you were to be esteemed in your peer group, you had to be listening to  [···]

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