For many people, Jools Holland sounds like something familiar, and when they manage to trace it to something people usually remembers “Later With Jools Holland” which is a TV show from the UK hosted by Jools Holland, and focuses on bringing different artists and bands at the same time to perform live.

It’s a concept which is has managed to remain fresh since 1992, it features around five bands and an audience of around 300 people.

Young Holland

However Jools Holland is also a very succesful and talented musician. Before the show, Jools Holland or Julian Miles Holland already made a career as a pianist, playing from the age of 8.

In 1974, Holland joined Squeeze as their keyboardist, and released their first EP in 1977 (Packet of Three), and their first LP the next year. The band was very succesful, with hits such as “Take Me I’m Yours” and “Bang Bang”. Both songs were composed by Chris Difford and Glenn Tilbrook.

That year, Holland released an EP called Boogie Woogie ’78, which showed a side of him that focused more on R&B, and jazz. After that his solo career flourished and eventually left the band. He occasionally came back to the band but his solo career was very well established as well as his career as a TV host, first in “The Tube”, and then “Later With Jules Holland”.


Music and Shows

In an interview with “ukmusicreviews” Jools Holland spoke about his career and the show:

If I had to push you what has been the highlight of your career so far?

Well I suppose that would have to be this moment now we are chatting (laughter). A friend of mine once told me that the great gurus always say that if this does this and that does that then tomorrow will be the best day ever. However, I always think that paradise is now. I also get a great feeling whenever we play next. I suppose that if I was to look back and pick out one thing it would most probably be a small moment on stage when I feel totally connected with the audience at that one moment in time. It’s great when you see that they are feeling the music as you are and they are tapping their feet and moving in time to the music that you are playing.

That is the highlight for me. Being at one with a load of people who are getting the music that you are playing. You can’t ask people to love the music that you are playing unless you love the music yourself. That oneness with the people has been the highlight for me. That was a rather longwinded answer I’m afraid Kevin but I’m sure that you will understand what I am saying. If you can put that into one sentence, well done (laughter).

Later… with Jools Holland has now been on the TV for forty-two series. When you aired the very first series could you ever imagine yourself still doing it in 2016?

No not at all. If you had said to me when you and I bumped into one another backstage at Milton Keynes Bowl when I was trying to settle the argument between Sting and Tom trying to get Tom’s quid back with the help of UB40; if you had appeared to me in a strange veil informing me that you could show me the future and then have taken me into a tent, and you had told me that I would be running a big band consisting of twenty people that would tour all over the world and I would also have this TV show, I would have thought that’s not what I am planning. As they always say if you want to make God laugh then tell him your plans. Things just happen sometimes.

I am really pleased with the way that things have turned out and I am really pleased because I love what I do. I love the music we play but I would never have dreamed that would be the way that things were going to turn out for me. That also goes for Later…I presented The Tube for five years and that seemed forever when I was twenty. After that we started doing Later…and I thought that it was fun and that it would probably last for three series. The longer that it stays on TV it gets harder to believe. I also think that we have been fortunate to have some of the greatest artists in the world, sometimes at the beginning of their careers and sometimes at their last performances.

There is a very interesting aspect about how music can work in unexpected ways, even if there are connections with a show’s host and a performer, it’s a bit strange to be a musician and later find out that you’ll be very well known TV host because of that same musician side.

In the end Jools Holland is a musician, and every now and then he play the piano with his guests and manages to make the experience even greater with his talent.

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These days, a lot of the entertainment industry is all about movies, TV shows, video games and in between, commercials, ads and much more. The truth is that while the visual side of all these forms of art is essential, what would it all be without music? There is a different approach to music when the final product has to be in sync with the story or message that is being told visually, in this regard, music accentuates, adds or even complicates things to the overall experience.

It’s not hard to think about iconic soundtracks, with some very known and loved in cinema such as Star Wars, 007, Kill Bill, series such as Star Trek, The Twilight Zone and many more. There are also many iconic soundtracks that most people are able to recognize such as Super Mario Bros. and Street Fighter.

Of course, the approach is different depending on which type or art or entertainment the music is for, let’s dive into some aspects of each one of them.


The first movie ever to have a musical score was “Don Juan” which was released  in 1926, a year later with “The Jazz Singer” sound and music became part of what made these films so amazing. From that moment on, films were usually accompanied by music, even before actors spoke lines of dialogues. It was clear that music helped represent the story and deliver a more compelling experience to the viewer and now listener.

These days it’s such an integral part of the industry that awards are given to the best musical score every year and many talented musicians work most of their time giving life to the sound of the stories that movies tell, and sometimes being the story itself, as it is with musicals.


While it’s very similar,TV shows work a little different, and a lot of this has to do with show’s intros and credits scene, because not only does it needs to represent the show and display a very defined identity, but it will also sound every single time the show is on air. This makes music divert a little from the art and more into the business side of things, since it has to be catchy and promote the show itself every time it’s music comes on air and through commercials.

This of course extends to cartoons such as Looney Tunes,and Hanna-Barbera productions, which have very memorable melodies.


Commercials’ music or jingles, were all about being catchy and short, while giving a sense of happiness and drawing the viewer in through emotion, while the eyes see the real product.

Video Game Soundtrack

At first, video games featured very simple tunes, as the technology did not allowed a great quality to be included in the game, however as time went by, music in video games began to take a place similar to movies, with the difference of being more dynamic. What this means is that music didn’t just play at certain moments, it played when you made the moments happen. A good early example of this is with Sonic the Hedgehog, a game in which you had the general soundtrack of a level, but if you picked up a speed power up, the music changed to the tone of going faster, or if you started to drown, the music change to a more stress like, soundtrack, as well as more dramatic music when encountering more powerful enemies.

Being a musician actually has many branches,and there is no doubt that working on musical scores and soundtracks has a lot to cover nowadays, you just have to let yourself explore.

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